“The Argonauts,” (Graywolf Press: 2016), written by Maggie Nelson, non-fiction.

“Bresson on Bresson,” (New York Review Books: 2016), edited by Mylene Bresson, translated by Anna Moschovakis, non-fiction.

“Comments on the Society of the Spectacle,” (Verso: 1998) written by Guy Debord, translated by Malcolm Imrie, non-fiction.

“The Conversations: Walter Murch and the Art of Editing Film,” (Alfred A. Knopf: 2017), written by Michael Ondaatje, non-fiction.

“The Feeling of Things,” (Editions Poligrafa: 2009), written by Adam Caruso, non-fiction.

“The Images of Architects,” (The Name Books: 2015), edited by Valerio Olgiati, non-fiction.

“Men of Ideas, some creators of contemporary philosophy: Dialogues with fifteen leading philosophers,” (Oxford University Press: 1982), written by Bryan Magee, non-fiction.

“The Noise of Time,” (Vintage: 2017), written by Julian Barnes, fiction.

“Notes on the Cinematograph,” (NYRB Classics: 2016), written by Robert Bresson, translated by Jonathan Griffin, non-fiction.

“The Society of the Spectacle [revised edition],” (Zone Books: 1995), written by Guy Debord, translated by Donald Nicholson-Smith, non-fiction.

“This Is Not A Novel and other novels,” (Counterpoint: 2016), written by David Markson, fiction.

“Thomas Bernhard: 3 Days (from the film by Ferry Radax),” (Blast Books: 2016), translated by Laura Lindgren, non-fiction.