This is the second in a series of essays that are meant to explore the impact two pieces of music can have when lined up back-to-back on an album, and to also consider the […]
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Prime Cuts #1: “Monk’s Music” (Riverside, 1957), Thelonious Monk
I thought it would be interesting to start a series of write-ups about specific aspects of recordings that I find remarkable, also regarding cinema. After seeing the new […]
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